As comic fans we’re all famalliar with the idea of a pull list – the carefully selected list of titles which our friendly comic store clerk puts by for use each week and adds to with carefuly curtaed recommendations based on our personal tastes. But what happens in this new digital world? Who is going to put aside that first printing of the new super cool book which no one else has ordered? Well here at Pipedream Comics we hope to be able to offer you that very service with our own Pipedream Pull List. Each week, we’ll point you in the direction of that week’s must-have digital comic and help you find that new gem which otherwise might have passed you by.
Our first recommendation is one which I am sure a lot of you will already have in your actual pull list and that is Batman #1 by Scott Snyder and Greg Capullo. With all the excitment about Justice League, Action Comics and the rest of the 52 relaunch, this book has been somewhat sidelined. OK, so it’s still going to do massive numbers, but with all the attention split between the marquee titles and the forgotten gems, this one might be passed over by your average fan which would be a shame as it is one of the best of the 52 relaunches so far.
The tone of the book is as dark as you would expect from the writer of American Vampire but it is the art which really helps the book stand out. I’ve been a massive fan of Greg Capullo’s work since the early days of Spawn but his style has really evolved since then and removing himself from the McFarlane bubble has helped step his game up to another level. Capullo’s Batman is sinister and learing with a dark and twisted quality. Juxtaposed with the clean simplicity of Bruce Wayne and co when they aren’t out fighting crime, the phenomenal level of detail he gets into every page is just astounding.
From the opening double page splash you can tell this is the work of a man who is loving the opportunity to draw such a wierd and wonderful cast of characters and the macabre story which Snyder is looking tell is really taking advantage of Capullo’s art in a way that we haven’t seen before. In many ways it’s reminiscent of his mentor Todd McFarlane’s work on Year Two or the Batman/Spawn crossover but with so much more going on in every panel.
For non-regular Batman readers it fulfills all the jobs that the Relaunch intended. It both grabs new readers with it’s exciting new creative team while at the same time not moving too far from the the source material for the diehards (although I am sure many will complain about Capullo’s unorthodox treatment of the Joker). The murder mystery storyline meant that as soon as I got to the end of the book I couldn’t wait for the next issue and there are very few books from the 52 relaunch that I could say that about.