As a child of the 80s I grew up on a steady diet of Saturday morning cartoons and superheros, and perhaps my all-time favourite was He-Man and the Masters of the Universe. Every weekend I would love to see He-Man vanquish the evil Skeletor with the “Power of Grayskull” and it would all be wrapped up with a nice moral message at the end. So it was with some excitement that I started reading the new digital only relaunch of He-Man and the Master of the Universe from DC Comics to tie in with a new on-going series. What was even more exciting was the prospect of a first issue written by the one and only Geoff Johns!

After all the weeks and months of talk, it’s finally here. The DC52 relaunch has happened. Whether you agree with their tactics or not there’s no denying they have created a buzz about the comics industry that we haven’t seen in years. Forget Civil Wars, Secret Invasion, or the death of Steve Rogers, Bruce Wayne et. al., this is the most excited I’ve been about a mainstream comic since 1991. Back then I was a wide-eyed 13 year-old and Marvel released Jim Lee’s X-Men #1, now here he is again changing the world of comics, but will it be for better or for worse?

Back in 1991 with the launch of X-Men#1 the comics industry was at the peak of the 90s boom. X-Men #1 sold over a million copies thanks to multiple variant covers in foils and bags and was (And still is) the most successful comic of all time. The aftermath of this was a few more years of boom for Marvel, but would quickly be followed by bust as the bottom fell out of market as a result of over exposure to variant collectors editions. However for Lee himself it would be the catalyst for the formation of Image Comics and a new generation of creator owned titles via his Wildstorm studios.

Fast forward 20 years and Lee is top dog at DC, and he is again relaunching one of the comics world’s top titles in Justice League. But this time, instead of pushing the multiple variants of print editions it’s all about the power of digital. Justice League will not only be a huge selling print title thanks to it’s big name creative team but it is being released and pushed heavily via the DC Comics app and via ComiXology’s Comics. There is no doubt that this will be the best selling digital comic of all time within 24 hours of it’s release and it’s effect on the potential digital market is huge. Lee, a self confessed Apple geek, has clearly learned something from the Cupertino computer giant with his strategy of midnight opening at comic shops, but he is also keenly aware of the impact that digital is going to have on the future of comics.

A lot of industry analysts scoffed when the pricing structure was released and we learnt that the issue 1s would be $3.99 compared to a standard $2.99 for future, but just as Apple don’t compromise on price, neither does DC. Lee, Geoff Johns and co are making hay while the sun is shining and making money from their cash cows while they can, however they are also maximizing the influence their major titles can have in order to create a trickle down effect for the entire comics market. This price won’t deter the hardened comics fans who will buy both print and digital edition and won’t stop Justice League and the others from being the best-selling books of the year. But thanks to the ease of digital purchase, it may just encourage readers to buy other titles from this relaunch once they experience the simplicity and quality that comes from buying Justuce League. Once readers see how easy it is to simply click on Action Comics, Batman or Booster Gold while browsing through the comics app then DC will rely on these readers looking to do the same thing again in 4 weeks time (or when they receieve push notifications from the app to remind them of just how easy it was to buy that initial title) Gone is the need to go into a comic store on release and day and pay with real money, with an app and micro payments a reader can buy every book they want and the bill will magically appear a few days later. This is the tipping point for print and digital and just as Lee was a central figure in the last shift in the business in the late 90s, so here he is a again in 2011. Let’s hope this is the start of a new golden age, not the pinnacle of another boom.

One final question remains though, as a comic is it any good? Quite simply, it’s superb! I’m prepared to concede I am not a massive DC reader, but it is casual readers like me who haven’t read DC titles in years (if at all) who this relaunch is aiming at. Just as Ultimates refreshed the Marvel line up in 2000, so this will refresh and bring in new readers by updating continuity and re-telling, not just origin stories, but early tales of how character met and formed bonds before they had 30 years of back story to muddy the water. As always, Lee’s artwork is bristling with finely honed detail and stunning characters and settings. His Batman still bristles with the grit and edge of his Hush artwork, but it is Hal Jordan’s Green Lantern that is the real star of the book with Jim’s over active imagination crafting amazingly complex backgrounds out of Hal’s super powered creations. But it is also Geoff Johns’ script that is a winner. Mixing humour and character and crafting a fantastic revised DC Universe uncluttered by multiverses and extraneous characters, this is good old fashioned comic book story-telling but with a true 21st century look and feel. Well worth investing your time and money in.