It’s been a milestone week this week as Image Comics celebrated their 20th anniversary. As a comics fan growing up in the early 1990s, I was a massive fan of all things Image and so it fills me with a great sense of pride and nostalgia to look back on what they meant to the comics industry and to me personally. As a kid my heroes weren’t sportsmen or movie stars, they were comic artists. I worshipped every pen and ink stroke of Todd McFarlane, Erik Larsen and Rob Liefeld. I knew every panel of early issues of Spawn, Savage Dragon and Youngblood and still do to this day.

So when these three super-artists left Marvel in 1992 to form a new company alongside Jim Lee, Jim Valentino and While Portacio I had no idea what the significance was, or why there were doing it, just so long as I could get new and exciting books from my heroes – and what could better than them writing and drawing their own titles? I didn’t understand that they had left Marvel to pursue creative autonomy and would shape the future of modern comics by putting the emphasis on the creator rather than the corporation, I was more interested in searching high and low for every new Image release I could get my hands on.

When I was growing up my favourite book was a hardback called Marvel’s Fifty Fabulous Years.  It was a complete history of Marvel comics (up to that point) and I must have read it cover to cover a dozen times. One of my favourite sections was about the process a page takes from pencils to inks to colours to print. The page itself was from an issue of Ghost Rider drawn by Mark Texeira, but the panel I was most interested in was the colouring, which was done by a mulleted maestro named Gregory Wright.  This was in the pre-digital world where Greg was painting with a brush and ink before picking and annotating the colour separations by hand for the printing process. Over the years, I noticed the name Greg Wright appearing on several of my favourite comic books, most notably on the Erik Larsen run of Amazing Spider-man (my favourite ever comic run) and the early issues of Savage Dragon at Image. So when I saw him appear on Twitter last week I thought I would say ‘Hi!’. Greg was very gracious and actually replied to me as he was getting used to Twitter and so I took the chance to ask him some questions about what he had been up to and how he felt about the world of colouring in this new digital age.