Back in September we spoke to artist Peter Krause about his iPad artwork as well as his work on the brilliant Irredeemable from BOOM! Studios. Since then, he has unveiled a fantastic new digital project, Insufferable,  which he launched alongside Irredeemable writer Mark Waid  via their new website Thrillbent. Telling the story of an aged super-hero and his problematic former sidekick,  Insufferable is released weekly via the Thrillbent website, and  feature a fantastic mix of gritty superhero story-telling mixed with brilliant and innovative artwork and interactive transitions. We wanted to find out more about how Peter went about putting his story together and just what was involved in this new venture.

As interactive books and comics get more and more sophisticated the boundaries between them are getting even closer. One title which is hoping to blur the lines even more is Bottom of the Ninth by animator Ryan Woodward. Hailing it as the world’s first animated graphic novel (as far as he knows), it combines Ryan’s love of comics, animation and baseball and looks set to be one of the true ground-breaking titles for the iPad in 2012.  I got in touch with Ryan as he finished off the final finesses  ahead of it’s Summer release and did my best to get to the the bottom of Bottom of the Ninth.

Back in March we spoke to George Lentino, publisher of Moonshot Digital Comics, who was setting out his plan to revolutionise the world of digital comics with “innovative, experimental and down-right fun to read comics”. Well the first title,  from that stable, Deluge, is about to be released with the team of film-maker turned writer J.D. Oliva and artist Richard Clark at the helm. After hearing about all the great things that George had planned for his new line of digital comics, I got in touch with J.D. to ask him about his inspiration for Deluge and just what exactly the Moonshot Digital experience entailed.

What would you do if you felt the quality of comics on the iPad wasn’t up to scratch? Most people would just grumble and moan and keep buying inferior books, but publisher Russell Willis took matters into his own hands, created his own comics platform inventing the ‘deluxe digital graphic novel’. Taking existing books from some of his favourite writer/artists, Russell developed his own publishing platform along with his Panel Nine app development team in Tokyo, approaching the artists in question to record an in-depth audio commentary to give the books that extra layer of interactivity.  After the success of his first release, From Hell artist Eddie Campbell’s Dapper John , he has followed it up with hard boiled crime drama Kickback from V For Vendetta artist David Lloyd. We got in touch with Russell to ask him how he came up with the idea for the deluxe graphic novel and what he think s makes this format so great for the iPad.

We love stories of self publishing digital comics here at Pipedream Comics, and we also love seeing what brilliant artwork talented artists can produce on their iPads. What’s even better though is finding out about a comic that’s written, produced and published on an iPad – which brings us to Little Robots by Raheem Nelson. A weekly web series published online every Sunday it features the antics of a group of robots, led by main character Addo and features satirical digs at pop culture and the modern world. But what’s even better the artwork is all produced digitally on an iPad. You can see the latest adventures of Addo and co at Raheem’s site and check out more of his work here,  but in the meantime we got in touch with him to find just how he goes about creating his robotic adventures.

The growth of digital comics apps for the iPad has created an exciting new market place for independent comics publishers. With regular sales promoting titles from smaller publishers, ComiXology does a great job of getting it’s readers to check and out and sample new titles with the convenience of a digital download. One such title which I was tempted to check out for the the first time recently is The Sixth Gun from Oni Press. A supernatural western it combines all your favourite elements of the classic wild west with a brilliantly gothic under current that would make HP Lovecraft or Mike Mignola proud. The man behind the title is writer Cullen Bunn, who you might be more familiar with from his run on Marvel’s Fear Itself, so I got in touch with him to ask just what the effect of digital sales are having on books like The Sixth Gun. 

Leinil Yu burst onto the comics scene in the late 90s after winning a Wizard magazine drawing board competition, but he followed that up with awesome runs on some of Marvel’s biggest titles like Wolverine and Uncanny X-Men. His spiky, unconventional style is part anime, part abstract but always phenomenally detailed and totally unique. However it was his work with Brian Bendis on Secret Invasion and Mark Millar on Ultimate Avengers that really helped bring him to the attention of mainstream comics fans. That latter run in particular helped build his relationship with Millar and developed into the fantastic creator-owned title, Superior, which was released via Icon Comics last year and is coming to a [no doubt explosive] conclusion very soon. With another collaboration with Millar called Supercrooks, launching soon I got in touch with Leinil to ask him about what it was like to work with some of the comics industry’s best writers and what was next for the man from Manilla?

Hellboy convention sketch by Duncan FegredoIt’s always great to see the fantastic artwork people can create on the iPad using just their fingers and a generous dose of creative flair. But it’s even better to see what comic professionals can rustle up when not working on their latest masterpiece. Last month I found this brilliant iPad painting by Hellboy artist Duncan Fegredo on the WhatNot blog and was just blown away. I’ve been a huge fan of Duncan’s for as long as he has been drawing Hellboy for Dark Horse and so knew I had to get in touch with him to ask him more about his experience of painting on the iPad and also, his thoughts on drawing the devil’s son.

MoonShot Comics coming soon to your iPad, PC or tabletIt’s an exciting time for small publishers on the iPad and we’re always excited to hear about new upstart ventures. The latest is Moonshot Comics, started by former Nickelodeon executive (and long time comics fan) George Lentino. It’s much more than just a new publisher though, it’s a one stop shop of digital expertise and creative thinking that is hoping to offer writers, artists and readers a new way of looking at and experiencing the world of digital comics. This is could be another fantastic option for those looking for something different to the traditional work of the big comic publishers and so ahead of it’s official launch this summer we got in touch with George and asked him to tell us a bit more about the Moonshot Comics Mission Statement!

Pocket God iconThere’s nothing we love more in life than torturing a couple of pygmies. Whether it’s pushing them around their little tropical habitat or zapping them with lightning, we can be a vengeful god on a wet Monday afternoon! Before you think we have gone completely sociopathic though,  we probably should mention that we don’t actually hunt down indigenous rain forest dwellers in order to bestow physical harm on them, we just do it on our iPhones with the awesome Pocket God game from Bolt Creative. We spoke to the team behind the brilliant comic, Publisher Dave Hedgecock and artist Rollo Mallado, last year, but what about the game itself? With it’s 43rd episode recently released, we got in touch with co-creator Allan Dye to ask, just what is it about torturing pygmies that makes people so happy?!